Animator Euan Frizzell and compositor Emrys Plaisted came on board for this fx-heavy version of a classic New Zealand story.

Mike Asquith created the ingenious base tentacle rig and shaders; scaling it up to create the writhing human shape required Erlend Cleveland’s talents to make it animator-friendly.

Delivering the final shots of flaming destruction took Danielle Norgate, John Shearlock and I a 36 hour all-night shift – my first in a few years, and hopefully my last!

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