Animator Euan Frizzell and compositor Emrys Plaisted came on board for this fx-heavy version of a classic New Zealand story.
Mike Asquith created the ingenious base tentacle rig and shaders; scaling it up to create the writhing human shape required Erlend Cleveland’s talents to make it animator-friendly.
Delivering the final shots of flaming destruction took Danielle Norgate, John Shearlock and I a 36 hour all-night shift – my first in a few years, and hopefully my last!
3DCGI 