A gentle re-entry into feature film work after the lower res and faster pace of gaming, this project was all about clean and natural composites.

A small crew comprising Greg Pawsey and David Lee (compositing), Nimue Sheils (roto), Nick Cattell (matte painting), and myself (the rest) were kept on target by the brilliant singularity that is Georgina Allison.

The falling snow and fire we added using elements shot by Charlie McClellan were relatively straightforward, but adding power lines and poles to the travelling shot was a bumpy ride.(made a lot easier by Tim Capper’s solid camera track and Emrys Plaisted’s marker removal)

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